For Bruce, breakthrough releases on Hessle Audio, Idle Hands and Livity Sound were always bound to turn heads, but he’s kept the momentum going in spectacular fashion the last eight years. A large part to this is his distinct ability in manipulating tension and release for either densely textured rhythms to stripped-back, ambient abstractions, but […]
Read moreTruancy Volume 288: Sicaria Sound
For the last five years, the DJ and producer partnership of Lou Nour (FKA Imbratura Lou) and Sancha Ndeko has been on a wild ascent. As Sicaria Sound they’ve embraced the two-decade-old lineage of dubstep, and merged their own individual interests of grime, dancehall and soundsystem culture to produce the kind of quiet, careful innovation […]
Read moreInterview: Freedom To Spend
Freedom To Spend is a label that takes unheard or underappreciated sounds from decades gone by and repackages and recontextualises them for a new audience. In recent years they have released music from Michele Mercure, Ernest Hood, Ursula K. Le Guin & Todd Barton, Pep Llopis and more. 2021 has seen the label release Tiziano […]
Read moreTruancy Volume 287: Fraxinus
Named after the Latin word for the ash genus, Fraxinus is a vehicle for the weighty techno of Devon-born, Netherlands-based DJ, producer and composer Cameron Leaf. Originally making a name for himself as part of the Her Records crew, he debuted with the All Ends 12” in 2014. Compilation contributions for Her Records and Astral […]
Read moreInterview: YULLOLA
It almost feels like an undersell to refer to NYC/Maine-based artist YULLOLA as a singer-songwriter and producer; she practises imagination more than anything else, using audio, visual, literary and performance arts as tools to realise and express an overarching vision. Previously, she had been releasing music under the name Jasper Lotti – her track “Bad […]
Read moreTruancy Volume 286: Bakked
Joining us for this week’s Truancy Volume is a producer and DJ based in Turin going by the name of Bakked, who has caught our attention in recent times with a trio of groove-packed releases on his label Outban. Wonderfully and distinctively designed thanks to Simone Faye, the records have not only helped him solidify […]
Read moreTruancy Volume 285: Kasper Marott
Of all the DJs working within the realms of trance and progressive house at the moment, Danish producer Kasper Marott comes across as one of the most genuine. A prominent name to emerge from Danish nightlife these last few years, largely due to producing one of the biggest tracks of 2018, he’s been involved in […]
Read moreTruancy Volume 284: D. Strange
Over the past few years, D. Strange has created a series of succinctly singular electro releases. His sound is crisp machine music with soul, full of a relentless darkness but not without hope. Following a recent move from Indianapolis to Chicago, the DJ and producer spoke to us about the difference between the two cities, […]
Read moreTruancy Volume 283: Hoshina Anniversary
Hoshina Anniversary is one of the most interesting and engaging electronic musicians releasing right now. With recent records out on YOUTH, ESP Institute and Alien Jams, the breadth of styles alongside the volume of releases is a reflection of Hoshina’s prolific and all-encompassing approach to making music. His record Jomon from earlier this year is […]
Read moreTruancy Volume 282: Karima F
It’s been three years since Karima F set up Schloss Records alongside artist and long-time friend Ida Ekblad. Having cut her teeth DJing at a weekly residency at Oslo-based club Jaeger since 2013, it’s this chapter of her musical career where she’s developed those residency skills into something physical. The first Schloss release arrived in […]
Read moreTruancy Volume 281: Central
Central, real name Natal Zaks, has pushed himself over the years. An incredibly talented individual with a meticulous discography that span many aliases, he’s had his hand in co-running multiple labels of over the years, with his distinct design style much sought out by record collectors and DJs. Popular outlets such as Help Recordings, No […]
Read moreInterview: Moin
Returning eight years after their original debut on Blackest Ever Black, Raime’s cranky distant relative, Moin, returns with a new offering on Nic Tasker’s, AD93 imprint. On the surface it feels like a familiar format. Crunchy guitars layered over a powerful and propulsive rhythmic section. If I didn’t know better, I could have lost the […]
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