Reptant has fast become an intricate cornerstone when it comes to quality, knee-bucking electro and high-voltage machine jams. Emerging around 2017 as a secondary project to his Lou Karsh alias, he’s been one of many talented producers to lead the genre through a healthy and exciting new period, thanks to releases on Planet Euphorique, Salt […]
Read moreTruancy Volume 269: Tim Reaper
Recently outscoring the likes of scene legends Fabio, Klute, and Djinn on Electronic Beats’ 90S Jungle/Drum and Bass Blind Test edition, it is clear that Tim Reaper is one of the most honest generational talents when it comes to the genre. From jungle to hardcore, to darkside and 4×4 jungle-techno, he shows an appreciation to its […]
Read moreTruancy Volume 268: Kia
It’s easy and refreshing to hear when a DJ truly enjoys the creative part of piecing a studio mix together. Describing the way she makes them as a complete personal expression, a diary of sorts, Kia has built up a collection of mixes that completely embodies her talent for weaving deep musical narratives. Kia’s Truancy Volume is […]
Read moreTruancy Volume 267: Ikonika
With a career spanning back from the late 2000s to today, Ikonika has long been regarded as a key name in the UK club music scene. Going back to 2008, she’s released on flagship labels like Hyperdub and Planet Mu, as well as what could have been a one-off 10″ for Don’t Be Afraid’s DBA […]
Read moreTruancy Volume 266: Zozo
Zozo is a DJ from Istanbul, Turkey. Forever experimenting with sounds of all shades, she’s established herself across Europe by collaborating with the Lyon-based Macadam Mambo crew residencies as well as enjoying a residency at Sameheads in Berlin. In 2017 she released a mind-bending tape for the Sameheads C60 series entitled Witchez of Anatolia, opening […]
Read moreTruancy Volume 265: soso tharpa
Born during the infamous blizzard of ’96 in Washington, DC, and raised by Nigerian immigrant parents, soso tharpa embodies the eclectic nature of DC’s music and culture, having grown up listening to the musical likes of country, rap, and everything in between. His musical productions are similarly wide-ranging, taking inspiration from a slew of sources […]
Read moreUnsound 2019 – Complicity and Accountability: Our Agency in Counterculture
Below is the streamlined transcript and audio recording for a panel I moderated at Unsound 2019 in Kraków last October, programmed with the festival’s theme of ‘Solidarity’ in mind. Since then, COVID-19 has revealed the fragilities not only of global underground music ecosystems, but of the globalised, capital-driven world as a whole. Within music, artists, […]
Read moreInterview: Okkyung Lee
Okkyung Lee has spent over two decades playing experimental music around the world. Though known for her dissonant, wiry cello-playing and her invigorating use of extended techniques, she has never settled. On her 2005 LP Nihm, harsh noise exercises share space with rhythmic jazz workouts and melodic laments. More recently, her explorations have led to […]
Read moreTruancy Volume 264: Turtle Bugg
New Jersey, New York and Detroit. Three of the key cities in the development of house music in the United States. Turtle Bugg was born in Jersey, lived in New York for a long time and now resides in Detroit. It’s fair to say these locales influenced his approach as a DJ, as well as […]
Read moreTruancy Volume 263: Identified Patient
Having formed a trademark sound that flirted between electro, EBM, acid, wave sounds, post punk and industrial, Identified Patient’s penchant for club and genre experimentation always left the door open for a producer wanting to keep things fresh and interesting with every release going forward. His debut EP, The Female Medical College of Pennsylvania, landed via Common […]
Read moreInterview: Clemency
With a background originating among Sheffield’s DIY/independent punk scene and now existing as an explosive part of Manchester’s DJing circuit, Clemency was always destined to thrive in liminal spaces. The producer and DJ has spent the past few years gaining a reputation for dropping the dark and dubby right in with frazzled techno, tense-yet-cathartic hardcore […]
Read moreTruancy Volume 262: Gabber Modus Operandi
As Gabber Modus Operandi, vocalist Ican Harem and DJ Kasimyn have spent the past couple of years raising hell across their native Bali and beyond. The duo connected over their shared love of disparate musics, including metal, grindcore and noise from the local punk scene, regional sounds like dangdut, koplo and gamelan plus footwork, happy […]
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