Recommended: Linda Catlin Smith – Dirt Road
Dirt Road started its life as dance music. Commissioned by a choreographer, this near 70 minute piece for violin and a glowing array of percussion (including vibraphone, gongs, cymbals and triangles) by the Canadian composer Linda Catlin Smith achieves ambitious and euphoric heights through a startling shy set of musical materials. As the title suggests, the music wanders, […]
Read moreRecommended: Jackmaster – DJ-Kicks
There has been something undeniably genuine about the rise of Jackmaster. The past few years have seen the Glaswegian take on a supreme (and burdensome) ‘party boy’ status in a remarkably dignified manner. For his so-called “troops”, he has become a beloved embodiment of exactly what they want dance music to be about: total uproar, […]
Read moreSunday’s Best Pt. XXXVIII
Ocobaya is the new moniker for Washington, DC producers Aaron Leitko and Mike Petillo. Previously known for their work as Protect-U on the Future Times imprint, here they’ve teamed up with DC label and Truants favorite 1432 R to inaugurate the new project. The Messix EP finds them experimenting more than in past releases, sometimes […]
Read moreTruancy Volume 152: Hipsters Don’t Dance
Kazabon and Hootie Who, the duo who make up Hipsters Don’t Dance, have been favourites of ours for a while now. It only seemed right to have them in for our Truancy Volume series, which now comes in at its 152nd edition. The London-based pair have been playing and hosting parties in the UK Capital […]
Read moreInterview: Airhead
We’ve been fans of Airhead for some years now, writing about him twice in 2012, but his release schedule is painfully steady and considered. His last release came in 2014, the searing October / Macondo on Hemlock. Since then he’s been busy writing and touring with his childhood friend James Blake, as well as establishing party-slash-label 1-800 Dinosaur (alongside Blake, […]
Read moreInterview: 8ULENTINA & DISMISS U Artists
Released in April, Tobago Tracks’ DISMISS U compilation is one of the most vital of the year. Assembled by producer, DJ and installation artist 8ULENTINA, the compilation showcases seven femme artists weaving diasporic narratives into dance tracks that reference, subvert and/or ignore Western club tropes. Although the release is cohesive, it resists easy categorisation: featured on the […]
Read moreTruancy Volume 151: resom
Nadine Moser has spent many years being involved in music in many ways – as a fan, DJ, booker, organiser and activist. Under the name resom, her way of playing records is grounded in zeroing in on their subtleties and weaving together rich and diverse tapestries of sound, an approach well represented in her Truancy […]
Read moreInterview: Will Saul & October
UK-based house label Aus Music are preparing their 100th release this July. The label have released zeitgeist-defining EPs by acts like Midland, George Fitzgerald and Bicep before their names became ubiquitous with the contemporary scene. The feat is even more impressive considering it means they have roughly put out a record a month for a decade […]
Read moreTruancy Volume 150: Laurel Halo
To mark the 150th Truancy Volume, we are very happy to share with you a mix from one of the most distinct and interesting artists around. Over the course of several EPs, two albums and many live performances, Laurel Halo has created music which is as strikingly original and engaging as it is unbound to […]
Read moreRecommended: Rhythmic Theory – Circulation
Idle Hands, whose boss man Chris Farrell spoke to us at length in 2014, recently released the debut full-length of Rhythmic Theory. This release, Circulation, follows a hefty number of 12″s on a small number of labels over the past few years. Between his own label, BRSTL (which he runs with Farrell and Shanti Celeste), […]
Read moreTruancy Volume 149: chunyin
Truancy Volume 149 comes courtesy of Sydney-based chunyin, ahead of her forthcoming ‘Code Switch’ EP on Off Out. Many will know chunyin from her pop project Rainbow Chan, a local favourite who has been working in the scene for many years. chunyin, however, is the grit under Rainbow Chan’s poppy sheen, the foggy night to its […]
Read morePremiere: Ziúr – Taiga
Infinite Machine have hit a real purple patch in 2016, having focused their efforts on releasing a steady stream of exploratory and non-geographical internet club music. Recent months have seen the sugar rush inducing “Leaving Thrice” from Iydes of essential London party Tropical Waste, a bombastic EP of synth and noise from recent Planet Mu […]
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