Truancy Volume 217: Fantastic Man
Kicking it between Berlin, London and his hometown of Melbourne the last few years, Mic Newman, now better known for his Fantastic Man alias, has become one of the main leading stalwarts pushing punchy, tripped out house cuts out of Australia. Although now based in Berlin for the moment, a string of 2016 releases mixed […]
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Truancy Volume 216: Hops
If you’ve ever made it to a Version party, usually held in Tresor’s sister club Ohm in Berlin, you’ll be well aware of Hops‘ impeccable taste for percussive, bass heavy club sounds with an undeniable swagger. The former reggae buyer at Hard Wax, where he worked for 7 years, has long been honing his craft […]
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Truancy Volume 215: Mosca
“I’m still getting to grips with what I want from my music” Mosca told Attack Magazine back in 2014. By then he’d already released a number of records on Fat City, Numbers, Night Slugs, 3024, Rinse, Hypercolour, Ann Amiee and his own label Not So Much. A discography many would look on from the outside and […]
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Sunday’s Best Pt. LVIII
You might remember XIII from the magnificent record No (The Relative Effect Of Explication), released three years ago on Gang of Ducks. Last year, the Turin-based artist performed under his given name (Alessio Capovilla) with Anna Homler (of Breadwoman fame). Now, he presents a new album for GOD, Eocity, which moves from the murky, wavering […]
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Truancy Volume 214: Roza Terenzi
Roza Terenzi is a producer and DJ from Perth, Australia, now based in Melbourne. After a number of years producing under another name she adopted this moniker to reflect her change in direction and focus. The hands of fate (and the record industry) led to a series of records coming out in quick succession on […]
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Interview: Sim Hutchins
In late 2015 we spoke to Sim Hutchins about the release of his debut album, I Enjoy To Sweep A Room on No Pain In Pop. The digital single Melanotan II / No Paco Rabanne followed in 2016, as did a stunning AV project on Lee Gamble’s UIQ label: Vantablank Stare was a personal response […]
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Truancy Volume 213: Juana
Born into an artistic and musical family in Chicago, Juana’s passion for music began early in childhood with the sound of her dad’s guitar, a gifted record from her mother, local rock radio stations and wedding reception dances. Turning this early enthusiasm for dance music into a full-time job, Juana now moves and inspires others […]
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Interview: Roza Terenzi
Roza Terenzi is a producer and DJ from Perth, Australia, now based in Melbourne. After a number of years producing under another name she adopted this moniker to reflect her change in direction and focus. The hands of fate (and the record industry) led to a series of records coming out in quick succession on […]
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Sunday’s Best Pt. LVII
After a flurry activity in the early teens, Locked Groove has kept a low profile in recent years. Building his activity back up, last year he appeared on the 96th Speicher release alongside Christian Nielsen, and early this year he returned to his own Locked Groove Records. He recently put out a release on Italian […]
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Truancy Volume 212: Martyn
Back in 2011 we caught up with Martyn as he prepared to release his sophomore album Ghost People on Brainfeeder – conversing away on the obstacle of second album syndrome, his first foray into performing his music live and his early collaborations. Seven years later and an album on Ninja Tune in between, his fourth LP […]
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Interview: Perfect Location (Experimental Housewife, gayphextwin, Elexos Park)
Promising 24 releases in 2018 to highlight talent from the Bay Area and a small selection of international artists, Evelyn Malinowski’s new label Perfect Location has a certain buzz around it as it takes her community’s music off of hard drives and out into the world. Working in batches of four, she’s already put out a […]
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Interview: Gel
Karis Zidore is an artist, dancer and choreographer who has expanded her repertoire into sound, going by the name Gel. She makes dance music in ways that you might not recognise – it’s certainly not in 4/4. Inspired by movement, she has translated her feelings into a singular expression of largely electronic sounds in the […]
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