As far as new labels go, Foul-Up have had a great start after setting up shop in 2016. Following on from Beastie Respond’s data-driven LP of hybrid electronica, Information City, the latest release comes as a collaboration from label head Nicolai Vesterkær Krog and Lasse Bjørck Volkmann. The Danish pair are also known for previous […]
Read moreSunday’s Best Pt. LXII
It’s easy and all too tempting to surrender to the soft sounds of Geotic. Since his 2017 album Abysma – his first record that wasn’t self-released – Geotic’s celestial electronics have shifted towards a more danceable sound. Somewhere between beach and couch, that album showcased Will Wiesenfeld’s capacity to creative emotive tracks teeming with the […]
Read moreRecommended: Desert Sound Colony – Fast Life
Touch From A Distance is a new label started by Nick Höppner, the DJ and producer most known for his association with Berghain/Panorama Bar and its in-house imprint, Ostgut Ton. The label takes its name from Joy Division’s “Transmission”: “Not only am I a big Joy Division fan, but the name also puts quite aptly […]
Read moreSunday’s Best Pt. LXI
Established as an effort to “preserve and proliferate Southeast Michigan’s rich history of dance music,” Detroit’s Vanity Press Records has seen releases from local and not-so-local artists such as AceMo, Black Noi$e, and Flora FM. Their latest 7” pairs the vinyl debuts of Ridgewood, NYC-via-LA’s Oscar Huang and Lisbon-based duo Rhythm Phazer, which consists of […]
Read moreInterview: Lorenzo Senni
Fans will know that a highlight of Lorenzo Senni’s live show is his joyous, high-energy dancing. The Italian producer, best known for his emotive, drum-free reflections on classic trance sounds, puts his skills down to summers spent dancing at bars for money around the tender age of 15. “It’s not what you think,” he laughs […]
Read moreRecommended: qgb – Hornets
Hornets, the debut album from qgb, is a perfect body of work. That is to say it is succinct, coherent and whole. On top of that, it is available in a limited edition 4GB USB drive cast in amber. “We made the Amberdrives in relation to the references to insects in the titles and the […]
Read moreSunday’s Best Pt. LX
Jamaica Suk‘s latest release comes on Establishment Records, the offshoot of CDM that’s already delivered stellar works from artists like Ārash Āzādi and Miri Kat. Clockwise offers a series of techno dreamstates that border on the nightmarish. “Two Moons” opens slowly, sparse echoes leading towards fuzzy pads and a cascading drum pattern in 3/4 time. […]
Read moreSunday’s Best Pt. LIX
FLORA is Jonas Rönnberg and AnnaMelina’s outlet for their new synth-pop inspired dyad. Also known as Varg, Rönnberg is no stranger to breaking out of the confines of the techno his Northern Electronics label is renowned for. Teaming up with Yung Lean and a few other curveballs in Nordic Flora Series Pt. 3: Gore-Tex City, […]
Read moreThree-Peat Vol. XXIV: Haunter Records
Three-Peat is our feature spanning genres and labels to bring you three select releases from the past – whether the past month or the past year – that deserve your attention. This edition we’ve selected three 2018 releases from Haunter Records, the international imprint led by Francesco Birsa Alessandri, aka Sense Fracture. 1. Broshuda – […]
Read moreSunday’s Best Pt. LVIII
You might remember XIII from the magnificent record No (The Relative Effect Of Explication), released three years ago on Gang of Ducks. Last year, the Turin-based artist performed under his given name (Alessio Capovilla) with Anna Homler (of Breadwoman fame). Now, he presents a new album for GOD, Eocity, which moves from the murky, wavering […]
Read moreInterview: Sim Hutchins
In late 2015 we spoke to Sim Hutchins about the release of his debut album, I Enjoy To Sweep A Room on No Pain In Pop. The digital single Melanotan II / No Paco Rabanne followed in 2016, as did a stunning AV project on Lee Gamble’s UIQ label: Vantablank Stare was a personal response […]
Read moreInterview: Roza Terenzi
Roza Terenzi is a producer and DJ from Perth, Australia, now based in Melbourne. After a number of years producing under another name she adopted this moniker to reflect her change in direction and focus. The hands of fate (and the record industry) led to a series of records coming out in quick succession on […]
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