Various

Festival Review: Atonal 2019

This year saw Berlin Atonal opening its doors for the sixth time since its reopening back in 2013, following a 23 year hiatus. The festival, once again, took over the Kraftwerk complex, which includes Tresor and Ohm in its staging for the events, taking place over five days. Though Berlin Atonal doesn’t officially have “headliners” […]

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Releases

Recommended: Glass Knot – Present Tense

As far as new labels go, Foul-Up have had a great start after setting up shop in 2016. Following on from Beastie Respond’s data-driven LP of hybrid electronica, Information City, the latest release comes as a collaboration from label head Nicolai Vesterkær Krog and Lasse Bjørck Volkmann. The Danish pair are also known for previous […]

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Interviews

Interview: Samuel Kerridge

Label boss of Contort and a Downwards mainstay, Samuel Kerridge has spent the last few years sundering and re-sculpting techno and its many forms. His savvy, paced productions and exhilarating live and DJ sets have earned him a fierce reputation for destroying the mundane on the dancefloor. A regular performer at Berlin’s Atonal festival, and […]

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Releases

Recommended: Overlook – All Of Them Witches

It’s easy to forget that Bristolian label UVB-76 have only been around for three years; the traction and reputation they’ve gained over such a short time speaks for itself. Label heads Nick Callaghan and Gabriel Au, AKA Ruffhouse and Gremlinz, bonded over music some seven-or-so years ago, meeting over online messaging much like everyone else […]

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Releases

Recommended: JK Flesh – Exit Stance

Birmingham has been a melting pot for progressive music since it rebuilt itself post-war. Playing host to many mutating, free-flowing bands, the city found itself at the forefront of scenes such as post-punk, bhangra and Brumbeat. It was at the turn of the ‘90s when a fresh-faced Karl O’Connor and Peter Sutton formed the now-infamous […]

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Interviews, Various

Interview: Ctrls

For Troels Baunbæk-Knudsen aka Ctrls, techno is a process of clarification as opposed to progression. His productions have found the comforts of home in Kr!z’s Token Records for the best part of half a decade now and his latest escapade on the Belgian imprint, Routing, is an incantation of his minimalist view on dancefloor techno. […]

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Releases

Recommended: Manni Dee – Your Public Image

It’s been two years since Leyla Records first made contact with Human Image, and it’s at the hand of the Amsterdam-based label’s inaugurator, Manni Dee, that we receive its eighth instalment: Your Public Image. The label prides itself on delivering headstrong, industrial-leaning techno and this four-tracker does just that. Fans of Dee will be familiar […]

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Interviews, Releases

Interview: GIL

GIL is the latest to join the ranks of Aïsha Devi’s Danse Noire imprint. Emerging from a background of contemporary dance and composition, the Berlin-based producer brings us the 8th offering from the inimitable label which has previously seen the likes of IVVVO and Vaghe Stelle all contribute. Orchids & Wasps gathers together GIL’s various […]

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Interviews, Releases, Various

Q&A: Mike Parker

Having served in the game for over two decades, Mike Parker has carved out a niche sound. Relying on rich textures and hypnotic grooves, he brings the most out of the bare minimum. His music can be enjoyed both at home on some headphones or being mixed by a DJ in the club. He can […]

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Interviews, Releases

Interview: Stephen Mallinder

Wrangler is the collaborative project between Stephen ‘Mal’ Mallinder (of Cabaret Voltaire fame), Phil Winter (from Tunng) and Benge (one half of John Foxx and the Maths). The group formed in 2009 and it takes a mere glance at the names to realise the wealth of musical talent between them. Winter still contributes to Tunng […]

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Releases

Recommended: Vlaysin – Acid Dedication EP

Voitax burst onto the scene in 2013 with a release from label heads Paàl and Ezuri. During a time where minimalism and hypnotism were en vogue in techno, seeing a grittier strand of techno was very refreshing. It was made clear from the maiden voyage that the label was not akin to the output apparent […]

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