In late 2015 we spoke to Sim Hutchins about the release of his debut album, I Enjoy To Sweep A Room on No Pain In Pop. The digital single Melanotan II / No Paco Rabanne followed in 2016, as did a stunning AV project on Lee Gamble’s UIQ label: Vantablank Stare was a personal response […]
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Roza Terenzi is a producer and DJ from Perth, Australia, now based in Melbourne. After a number of years producing under another name she adopted this moniker to reflect her change in direction and focus. The hands of fate (and the record industry) led to a series of records coming out in quick succession on […]
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After a flurry activity in the early teens, Locked Groove has kept a low profile in recent years. Building his activity back up, last year he appeared on the 96th Speicher release alongside Christian Nielsen, and early this year he returned to his own Locked Groove Records. He recently put out a release on Italian […]
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Promising 24 releases in 2018 to highlight talent from the Bay Area and a small selection of international artists, Evelyn Malinowski’s new label Perfect Location has a certain buzz around it as it takes her community’s music off of hard drives and out into the world. Working in batches of four, she’s already put out a […]
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Karis Zidore is an artist, dancer and choreographer who has expanded her repertoire into sound, going by the name Gel. She makes dance music in ways that you might not recognise – it’s certainly not in 4/4. Inspired by movement, she has translated her feelings into a singular expression of largely electronic sounds in the […]
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Flowers From The Ashes: Contemporary Italian Electronic Music is a new compilation from Stroboscopic Artefacts. It’s a wide-ranging release that explores a variety of sonic modes being employed by artists from Italy. From the slow dank rumble of Andrea Belfi and Marco Shuttle to the ritualistic techno of Ninos Du Brasil and Lucy; from Alessandro […]
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It’s easy to forget that Bristolian label UVB-76 have only been around for three years; the traction and reputation they’ve gained over such a short time speaks for itself. Label heads Nick Callaghan and Gabriel Au, AKA Ruffhouse and Gremlinz, bonded over music some seven-or-so years ago, meeting over online messaging much like everyone else […]
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Back in the early ‘90s, near UK rave’s supposed high-water mark, there was a party in Wolverhampton called Quest. Like lots of nights, it printed and posted zines to deliver the word to faithful punters. Theirs featured a ‘Raver of the Month’ letter page. In a typical edition, one Nik Ratcliff of Torquay writes in […]
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When we interviewed Manchester duo Space Afrika for our 162th Truancy Volume back in 2016, they explained that one of the most important influences for their sound was architecture. Somewhere Decent to Live, the name of their second album on Will Boyd’s Sferic label, is a nod to this. The duo’s northern English hometown serves […]
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Taraval is a US producer with just a few releases to his name. He released his debut on Four Tet’s Text Records, following stints performing as part of Caribou’s live band. He also runs the label Geej with Jeremy Greenspan, through which the pair’s collaboration Greenspan And Taraval appeared last summer. His latest arrives on […]
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For our 204th Truancy Volume, we welcome a producer and DJ whose work we’ve seen bridge genres with pop influences over two decades under a multitude of aliases and projects. With his sister Karin, Olof Dreijer has released a plethora of music as The Knife, forming in 1999 from their then-home-studio in Stockholm, before going on to […]
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Future Beat Alliance is the nom de plume of British producer Matthew Puffett. Having been active for more than two decades, last year saw the release of his thrilling retrospective reaching back as far as 1996. Influenced by acts such as Black Dog Productions, Balil, his sound is a melting pot of ideas, with intricate […]
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