Straight lean, Helix, patron. There are a lot of planetary and mathematical puns one can apply to Georgia-based producer Beau Thigpen, known under his moniker Helix. Such as, no wonder he likes loops, or, his tracks are like smooth space curves, or, something about how many parsecs he’s away from Berlin. “I mean, I’m Helix?” is […]
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Interview: Clams Casino
Over the past few years there has been a real surge of beatmakers and emcees who have taken the DIY approach like so many before them, but in a bid to be different they have contributed to some of the most interesting hip-hop we’ve heard for a long time. We owe a lot to the […]
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Interview: Objekt
TJ Hertz has become one of the most admired artists of the year under his moniker Objekt, after the release of his first white label in January; two delectable slabs of techno-infused dubstep – wild, gurgling progressive works that build and grow from the simplest sounds to points of unimaginable intensity. This was furthered with […]
Read moreTruancy Volume 28: Guy Andrews
For our twenty-eigth installment of the Truancy Volumes series, we are proud to have the Brighton based Guy Andrews in the mix, a producer who seems to have mastered the craft of filling the spaces in between his mesmerizing beat patterns with a soulful type of ambience, that stay embedded with your emotions for the […]
Read moreTruancy Volume 27: Wildlife!
Our next Truancy Volume comes from Swiss producer WILDLIFE! whose ability on effortlessly mixing and combining dancehall and electronic music has garnered him huge support from the likes of Diplo, Sinden and L-Vis 1990 to many other musical connoisseurs. Having founded the now revered dancehall soundsystem Gold Rush International at the tender age of 19, […]
Read moreTruancy Volume 26: Broke One
Indulge me a moment if you will, and imagine the group photo of the Nu Skool Class of 2011 – the sparky young upstarts pushing through and poised to shake things up, the aural equivalent of a sharp slap round the face and a Red Bull shoved hastily down our necks. There he is, front […]
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Interview: Bok Bok
Bok Bok the proficient DJ, designer and producer, as well as the co-founder of Night Slugs, is currently locked up in his studio finishing the first release that he’ll put out through his own imprint himself. We caught up with him to ask how that’s going, talk the past and the present of the label as well […]
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Interview: Optimum
Although it’s always a great thing to be out in the club and jam out to unknown music that you haven’t heard before, it’s an even greater thing if there are tracks that never lose their charm despite having busted your moves to them an infinite number of times before. London-based Optimum was responsible for […]
Read moreTruancy Volume 25: John Roman
After last weeks venture the Truancy volumes roll onto numero 25 and this time we’re proud to present a mix all the way from Canada. They’ve brought us Bieber, Egyptrixx, Drake, Neoteric, Jacques Greene, Milt Mortez and the beautiful Robin from How I Met Your Mother (small crush) but today steps up the enigmatic John […]
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Interview: Doc Daneeka
Doc Daneeka rarely shows any compassion for others, is everything but helpful to the people he owes and ends up being effectively dead to everyone around him. Not the best state of affairs for Joseph Heller’s squadron physician. Mial Watkins, the producer who named himself after the troubled character, is luckily the anti-type of his namesake. […]
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Interview: Presk
The au fait up and coming producer from Dutch soil, Presk, also known as Pieter Willems, has releases coming up on Fourth Wave, the new Ramp sub label and Doc Daneeka’s label Ten Thousand Yen in the next few months. Presk’s music is striking; the keywords to his productions are full-toned, rhythmic, sub bass, soulful but above all […]
Read moreTruancy Volume 22: TWR72
Boys and girls, this Truancy Volume is a very special one. The guys behind it, TWR72 (real names Roger van der Zwan and Tom Doorschodt), are two of the most exciting producers on the block right now and have a lot in store for the near future. On top of that they are also the […]
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