At the beginning of the year, Nosaj Thing broke his three-year radio silence by releasing his much-awaited “Home” LP on Innovative Leisure after his first record “Drift” was released on Alpha Pup Records in 2009. In terms of how beat- and melody-driven “Drift” was, Jason Chung’s sophomore effort did not pick up where his debut left off […]
Read moreOnce again, Detroit shows the world it’s not void of new talent. After Kyle Hall unearthed the lo-fi sounds of Manuel Gonzales it seems fitting that Argot, a label based in Detroit’s sister city Chicago, would unveil the uptempo and manic synthesizers of Elizabeth Merrick-Jefferson. Last month she released her debut 12-inch, “Urban Off Road” […]
Read moreFor our sixty-eighth Truancy Volume we are proud and blessed to bring to you the musical chameleon that is Samoyed. The Dundee based producer, otherwise known as Andrew Cook, will awaken your senses with harmonious sounds that flow through you with all the vigour of an electrical current. “I think I value emotional connection in […]
Read moreTruants readers will be familiar with Dro Carey thanks to his impossibly good 12″ release on Templar Sound last year, which Simon Docherty reviewed here. “N.R.”‘s take on steely grime tropes summed up the essence of Eugene Hector’s approach to production, either as Dro Carey or Tuff Sherm. He delights in playful subversion, his take on the sacred totems of dance music simultaneously reverent and […]
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For a decade Gabriel Reyes-Whittaker has released music on labels such as Sound In Color, his own Gifted & Blessed imprint, Eglo Records, and more recently Wild Oats. On every record and with a multitude of names his work ethic and ability to carve out ear-perking synthetic melodies has shown through. Ahead of his appearance […]
Read moreThere’s always that sense of hesitant laziness when asking someone what sort of music they’re into, only to have them reply with the slightly frustrating old “you know, a bit of everything.” However with Julian Raymond Smith, otherwise known as Bristol based producer October, a bit of everything seems like quite a fitting phrase to […]
Read moreThe democratization of the music industry should make it easier for talented artists to gain an audience, but if the last few years have shown us anything it’s that this was a blessing and a curse. There seems to be a constant flow of questionable and plain terrible music hitting the web daily, making it […]
Read moreThe last few years saw a deluge of mediocrity in a scene describing itself as “UK bass music”, which drew together the politest bits of house, techno, garage and dubstep for a depressingly vanilla sound. Thankfully, the scene also yielded some real original talents, one of whom is Damu, an artist with releases that include an […]
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Armed with a studio of vintage gear, FunkinEven’s productions have yielded music that acknowledges a long linage of funk and hip-hop, but is not captive to it. His music runs along the same timeline as his predecessors and influences such as Warren Harris aka Hanna and Big Daddy Kane. He regularly collaborates with the Swedish […]
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It is not often that the relationship between an artist and its label feels quite as organic as Stroboscopic Artefacts and its Singaporean delegate Xhin have established for themselves. The Berlin-based label, led by its founder Lucy, have continuously exhibited sounds that are motivated by a self-proclaimed curiosity of a scientist and manage to challenge accustomed […]
Read moreYou may not be familiar with CLAUDE SPEEED yet, but we guarantee that by the end of this year, you shall know his velocity. Part of the always-brilliant LuckyMe label/collective/crew (also home to Eclair Fifi, whose own Truancy Volume is one of our finest), he’s so far released an EP with his band American Men, […]
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Daniel Savio has a baby boy, but his experience being a father extends beyond his family tree. Credited as being the progenitor of the Scandinavian electro-funk movement called Skweee, he’s made funky-wave-babies felt around the world. Steeped in bucket hat and track suit hip-hop, Kraftwerkesque synthscapes, and “Was Dog a Doughnut” electro vibes, Savio’s sound […]
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