

Recent years have seen plenty of avant-leaning, club-coloured sounds from Japan, with notable examples including Wata Igarashi’s immersive techno, Kyoka’s beat-driven vocal collages, and Keita Sano’s rough-n-ready dancefloor weapons. As such, the sudden return of Shinichi Atobe in 2014 was a timely and welcome one, although whether it was coincidence or otherwise is impossible to […]
Read moreAvalon Emerson first featured on Truants in early 2014, with a Truancy Volume that coincided with her debut release. It was a bold statement of a mix, with one comment saying “No one plays, let alone OPENS” with Andrew Weatherall’s remix of “Papua New Guinea”. Since then she’s put out four more records, each even […]
Read morePoté is a London-based artist producing work that easily enthralls its audience through versatile and captivating features. His previous releases have seen him lean towards sounds more fitting for a club setting, such as his Enchufada project Voyeurism. Yet in his new EP Fire for Fire, he appears to venture into alternative sides of his […]
Read moreBorn in London and based in New York, multidisciplinary artist and DJ BEARCAT has been electrifying dance floors since 2008. With a unique talent for blending diverse genres and layering dynamic vocals, her sets are both technical and emotive. This sense of power and drama carries throughout all of BEARCAT’s work, from live mixes to […]
Read more“Space, intrigue and tenderness” form the thematic foundation of the latest mix from Truants-certified DJ and NTS Radio mainstay DEBONAIR. It’s the 68th entry in the Blowing Up The Workshop series, which has previously hosted across-the-board excellence from Beatrice Dillon and hurfyd to personal favourite Harsh Patel and the universally acclaimed 100% Galcher mix. DEBONAIR’s […]
Read moreMumdance and Logos are rarely without a new project. Over the past six years, their productions – both separately and together, on labels including Keysound, Rinse and Tectonic – have been a crucial part of the fabric of UK electronic music. Right now though, all their attention is focused on Different Circles, the label they […]
Read moreThe music of Phaeleh operates in a number of spheres at once. Beautifully and expertly crafted, it bursts with soul and character. His club music touches on a variety of strands of UK culture, from dubstep and bass to the jazzier tones of Four Tet and Floating Points, yet his latest release sees him burrow deep into ambient mode. We […]
Read moreO$VMV$M is a duo made up of Bristol’s Amos Childs, aka Jabu, and Sam Barrett, aka Neek. Their music is a strange collage built from samples from throughout the eras, and the effective is unsettling, placing the listener in a strange, other-worldly environment. Having first put out a tape called Memoryz Ov U on No […]
Read moreIDO, or Intercontinental Dance Organization, is a new venture from Valentino Mora and Matthieu Amila. Mora formerly went by French Fries and ran with the ClekClekBoom crew, crafting club bangers with heart and soul. Now releasing records under his given name, his tracks join a lineage of soulful deep house that goes back to the 1990s – see […]
Read moreWrangler is the collaborative project between Stephen ‘Mal’ Mallinder (of Cabaret Voltaire fame), Phil Winter (from Tunng) and Benge (one half of John Foxx and the Maths). The group formed in 2009 and it takes a mere glance at the names to realise the wealth of musical talent between them. Winter still contributes to Tunng […]
Read moreComprised of Josh Inyang and Josh Reidy, Space Afrika first cropped up a few years back on Where To Now? (the label responsible for our 113th Truancy Volume) with their tape release Above The Concrete/Below The Concrete. It was The Manchester duo’s Primrose Avenue EP from late last year on the same label that especially caught our attention; […]
Read moreGang Fatale would be one of the first collectives that may spring to mind when it comes to thinking about underground club music today. Not only do their unique factors revolve around the variety of artistic media they collectively explore, but also their capability of developing a sound specifically relatable to their group. Through their […]
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