Continuing to push the envelope of what could be termed avant-garde music, lo-fi soul-psych enigma Yves Tumor dropped the album Safe in the Hands of Love earlier this year, following on from 2016’s Serpent Music. While the record has been received with acclaim across the board, there has also been a deep attentiveness to Yves […]
Read moreInterview: Charlotte Bendiks
In chilly, distant Tromsø — one of the northernmost cities in Norway, known as a great vantage point from which to see the Northern Lights — quests for the electronic underground tend to lead people away. For Charlotte Bendiks, self-described as “the northern ambassador of distant intimacy”, it’s a challenge to keep the spirit of […]
Read moreSunday’s Best Pt. LXII
It’s easy and all too tempting to surrender to the soft sounds of Geotic. Since his 2017 album Abysma – his first record that wasn’t self-released – Geotic’s celestial electronics have shifted towards a more danceable sound. Somewhere between beach and couch, that album showcased Will Wiesenfeld’s capacity to creative emotive tracks teeming with the […]
Read moreSunday’s Best Pt. LXI
Established as an effort to “preserve and proliferate Southeast Michigan’s rich history of dance music,” Detroit’s Vanity Press Records has seen releases from local and not-so-local artists such as AceMo, Black Noi$e, and Flora FM. Their latest 7” pairs the vinyl debuts of Ridgewood, NYC-via-LA’s Oscar Huang and Lisbon-based duo Rhythm Phazer, which consists of […]
Read moreSunday’s Best Pt. LX
Jamaica Suk‘s latest release comes on Establishment Records, the offshoot of CDM that’s already delivered stellar works from artists like Ārash Āzādi and Miri Kat. Clockwise offers a series of techno dreamstates that border on the nightmarish. “Two Moons” opens slowly, sparse echoes leading towards fuzzy pads and a cascading drum pattern in 3/4 time. […]
Read moreSunday’s Best Pt. LIX
FLORA is Jonas Rönnberg and AnnaMelina’s outlet for their new synth-pop inspired dyad. Also known as Varg, Rönnberg is no stranger to breaking out of the confines of the techno his Northern Electronics label is renowned for. Teaming up with Yung Lean and a few other curveballs in Nordic Flora Series Pt. 3: Gore-Tex City, […]
Read moreSunday’s Best Pt. LVIII
You might remember XIII from the magnificent record No (The Relative Effect Of Explication), released three years ago on Gang of Ducks. Last year, the Turin-based artist performed under his given name (Alessio Capovilla) with Anna Homler (of Breadwoman fame). Now, he presents a new album for GOD, Eocity, which moves from the murky, wavering […]
Read moreSunday’s Best Pt. LVII
After a flurry activity in the early teens, Locked Groove has kept a low profile in recent years. Building his activity back up, last year he appeared on the 96th Speicher release alongside Christian Nielsen, and early this year he returned to his own Locked Groove Records. He recently put out a release on Italian […]
Read moreSunday’s Best Pt. LVI
When we interviewed Manchester duo Space Afrika for our 162th Truancy Volume back in 2016, they explained that one of the most important influences for their sound was architecture. Somewhere Decent to Live, the name of their second album on Will Boyd’s Sferic label, is a nod to this. The duo’s northern English hometown serves […]
Read moreSunday’s Best Pt. LV
Taraval is a US producer with just a few releases to his name. He released his debut on Four Tet’s Text Records, following stints performing as part of Caribou’s live band. He also runs the label Geej with Jeremy Greenspan, through which the pair’s collaboration Greenspan And Taraval appeared last summer. His latest arrives on […]
Read moreTruancy Volume 204: Olof Dreijer
For our 204th Truancy Volume, we welcome a producer and DJ whose work we’ve seen bridge genres with pop influences over two decades under a multitude of aliases and projects. With his sister Karin, Olof Dreijer has released a plethora of music as The Knife, forming in 1999 from their then-home-studio in Stockholm, before going on to […]
Read moreSunday’s Best Pt. LIV
Dub house done right can be an irresistible force, and Persuasion’s Quatermass EP is just that. This is the Montreal-based producer’s second appearance on Opal Tapes following 2014 split We Live Here, released under his Stefan Jós moniker. The new project embraces a heavier, more cavernous sound whilst staying true to an approach that, rather […]
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