It’s easy and all too tempting to surrender to the soft sounds of Geotic. Since his 2017 album Abysma – his first record that wasn’t self-released – Geotic’s celestial electronics have shifted towards a more danceable sound. Somewhere between beach and couch, that album showcased Will Wiesenfeld’s capacity to creative emotive tracks teeming with the […]
Read moreSunday’s Best Pt. LXI
Established as an effort to “preserve and proliferate Southeast Michigan’s rich history of dance music,” Detroit’s Vanity Press Records has seen releases from local and not-so-local artists such as AceMo, Black Noi$e, and Flora FM. Their latest 7” pairs the vinyl debuts of Ridgewood, NYC-via-LA’s Oscar Huang and Lisbon-based duo Rhythm Phazer, which consists of […]
Read moreSunday’s Best Pt. LX
Jamaica Suk‘s latest release comes on Establishment Records, the offshoot of CDM that’s already delivered stellar works from artists like Ārash Āzādi and Miri Kat. Clockwise offers a series of techno dreamstates that border on the nightmarish. “Two Moons” opens slowly, sparse echoes leading towards fuzzy pads and a cascading drum pattern in 3/4 time. […]
Read moreSunday’s Best Pt. LIX
FLORA is Jonas Rönnberg and AnnaMelina’s outlet for their new synth-pop inspired dyad. Also known as Varg, Rönnberg is no stranger to breaking out of the confines of the techno his Northern Electronics label is renowned for. Teaming up with Yung Lean and a few other curveballs in Nordic Flora Series Pt. 3: Gore-Tex City, […]
Read moreSunday’s Best Pt. LVIII
You might remember XIII from the magnificent record No (The Relative Effect Of Explication), released three years ago on Gang of Ducks. Last year, the Turin-based artist performed under his given name (Alessio Capovilla) with Anna Homler (of Breadwoman fame). Now, he presents a new album for GOD, Eocity, which moves from the murky, wavering […]
Read moreSunday’s Best Pt. LVII
After a flurry activity in the early teens, Locked Groove has kept a low profile in recent years. Building his activity back up, last year he appeared on the 96th Speicher release alongside Christian Nielsen, and early this year he returned to his own Locked Groove Records. He recently put out a release on Italian […]
Read moreSunday’s Best Pt. LVI
When we interviewed Manchester duo Space Afrika for our 162th Truancy Volume back in 2016, they explained that one of the most important influences for their sound was architecture. Somewhere Decent to Live, the name of their second album on Will Boyd’s Sferic label, is a nod to this. The duo’s northern English hometown serves […]
Read moreSunday’s Best Pt. LV
Taraval is a US producer with just a few releases to his name. He released his debut on Four Tet’s Text Records, following stints performing as part of Caribou’s live band. He also runs the label Geej with Jeremy Greenspan, through which the pair’s collaboration Greenspan And Taraval appeared last summer. His latest arrives on […]
Read moreSunday’s Best Pt. LIV
Dub house done right can be an irresistible force, and Persuasion’s Quatermass EP is just that. This is the Montreal-based producer’s second appearance on Opal Tapes following 2014 split We Live Here, released under his Stefan Jós moniker. The new project embraces a heavier, more cavernous sound whilst staying true to an approach that, rather […]
Read moreSunday’s Best Pt. LIII
Not3s is best known for improbably catapulting London cab firm Addison Lee back to relevance in the age of Uber. His hilariously catchy debut, “Addison Lee”, went viral, even earning some thoughtful critique from Louis Theroux. This week, he released his debut EP Take Not3s, which announces what those who were paying attention to him […]
Read moreSunday’s Best Pt. LII
Sharp Veins made a spectacular mix for our Functions of the Now series back in 2014. It moved through ambient classics into bits and pieces of grime, filtered through an American noisenik’s ears. In the year that followed, he put out the immersive Inbox Island for Glacial Sound along with a CD for sendspaace.eu and […]
Read moreSunday’s Best Pt. LI
It’s amazing that there are legends walking among us today. It’s astonishing that a Theo Parrish record on his own label can fly slightly under the radar when music appears to be at its most available. It’s astounding that twenty years into the game, the Detroit luminary would continue to blow us away with his […]
Read more