FOTN

Functions Of The Now VI: Gage

For our next edition of Functions Of The Now, we travel from Berlin to Bristol, a city with an enviable history of dark ‘n’ deadly soundsystem music. The last decade saw Bristol rise to prominence as a second centre for eyes-down dubstep and sub-bass driven mutations only for the overground explosion of more straightforward instantiations […]

Read more
FOTN, Interviews

Functions of the Now V: Jacques Gaspard Biberkopf

The fifth mix in this series comes from Jacques Gaspard Biberkopf, ram-jam full of his remarkable original material. Again we take a step back from grime’s purer strains, instead honing in on the international peripheries of a style that continues to force us to consider the limits of sound, music and dance. The mix provides […]

Read more
FOTN, Interviews

Functions of the Now IV: Miss Modular & Sudanim

While the first few tapes in this series focused their orbit around the Boxed massive, we now turn to those honing in on a skeletal, highly percussive, Jersey-inflected take on grime. Miss Modular and Sudanim of Her Records have presented us with exactly that, for the most part leaving behind grime’s evil sound palette and […]

Read more
FOTN, Various

Functions of the Now III: Murlo

I’ve probably had one of Murlo’s tunes stuck in my head for the majority of 2013, his fluttering melodies set up shop in the brain and refuse to leave. Working mainly in the crevices between grime and dancehall, he has carved out a sound truly his own. Romantic, wistful and primed for a sunny day […]

Read more
Downloads, FOTN, Interviews

Functions of the Now II: Inkke

Glasgow is a city of people with vociferous musical appetites, but there are a few individuals and collectives that excel in particular fields of expertise. The staff at Rubadub are pretty much walking encyclopaedias when it comes to techno, and a night of classic dubstep wouldn’t be complete without a set from one of the […]

Read more
Downloads, FOTN, Interviews, Various

Functions of the Now I: Strict Face

It’s often said that grime is an unfinished project, its untimely jolt into the mainstream cutting short the intense burst of creativity that characterised the style’s ‘golden age’. In 2013 a whole host of producers have taken it upon themselves to finish off the job, rearranging grime’s molecules to suit the ears and minds of […]

Read more