Hot off the press this week, Pearls is Swimful’s second release on Shanghai-based record label SVBKVLT (third including a remix EP). Following on from previous records by the likes of Prettybwoy, Howie Lee and Damacha, this EP is a continuation of output from artists based in East Asia producing a vast array of club-friendly music. […]
Read moreSunday’s Best Pt. XLIV
Three decades on from the genre’s initial explosion, acid rarely fails to move dancefloors. The label arm of NY clubbing institution the Bunker shines, beacon-like, as a home for fresh acid house. For their next release, ex-LWE writer Justin Cudmore presents the Forget It EP, a collection of four heady club tracks. Its title track […]
Read moreChronicles: D.R.A.M.
Artists such as D.R.A.M., Lil Yachty, Lil Uzi Vert, iLoveMakonnen and Chance the Rapper hold a charismatic aura that’s present regardless of whether they use it for inspiration or introspection. That character is tied to an emotional vulnerability that they all willingly share with the world through their music – perhaps more visibly on their […]
Read moreSunday’s Best Pt. XXXVIII
Ocobaya is the new moniker for Washington, DC producers Aaron Leitko and Mike Petillo. Previously known for their work as Protect-U on the Future Times imprint, here they’ve teamed up with DC label and Truants favorite 1432 R to inaugurate the new project. The Messix EP finds them experimenting more than in past releases, sometimes […]
Read moreSunday’s Best Pt. XXXVII
Kablam’s debut EP for Berlin’s party-cum-label Janus is a haunting set of twisted, frantic club music. Happily perched at the intersection of ASMR, hardstyle and choral music, Furiosa slams together various body-music herstories. It brings to mind the militant rigidity of the hakken alongside the sensual tingles of a whisper. The EP surveys the sonic […]
Read moreSunday’s Best Pt. XXXVI
With a steady stream of material filtering out over the past couple of years, from reissues and remixes to new collaborations, restructured moments from the club and fresh new solo material to boot, the Dozzy train continues full steam ahead. In 2016, the minimal maestro has dropped an EP for The Bunker, cameoed alongside Neel […]
Read moreChronicles: Goth Money – Goth Money Trillionaires
If there is to be any overt or ulterior goal of bubbling-up rap crew Goth Money’s music, it’s a convoluted one; interviews of the six members frame their project as a form of positivity achieved through organic, artistic union, while the group’s material is most often somewhat a literal incarnation of their name. Either way, […]
Read moreSunday’s Best Pt. XXXIV
Malory has been doing the live hardware rounds in New York’s thriving mechanical scene for a minute now. Her first official release comes from GOD MODE, a label that’s growing more captivating with each album they put out. There is something that just clicks with this release, it feels so natural. The track names are […]
Read morePremiere: Brown Irvin – Bay Fog
Brown Irvin is a new project from LA’s AshTreJinkins, whose main focus over the past decade has been in the world of dusty, beat-driven hip-hop. This new persona sees him move in different directions, a side project for him to explore house and techno from his own particular point of view. Having released a three-track digital […]
Read moreSummer’s Best Pt. XXXIII
What a time to be a Truant. Autumn’s release schedule is like a cheesecake, real late at night: sensational. But we couldn’t proceed without giving the summer its due, so we’ve got a bumper edition of our Sunday’s Best column to top it all off. We’ve kept ourselves busy with various mixes and features popping […]
Read moreChronicles: Retch – Finesse The World
We usually shutter to ascertain authenticity in music, but Retch’s rap is such that his ability to seamlessly integrate his incriminating extra-curriculars into it makes it most tantalizing as a square outsider looking in. Among the preeminent rappers actively occupying the classically-oriented street narrative stratum, like the more popular Roc Marciano, Black Milk, and Meyhem Lauren, […]
Read moreReview: Earl Sweatshirt – I Don’t Like Shit, I Don’t Go Outside LP
Who is the real Earl Sweatshirt? The question is more pertinent than ever as he strikes out alone on I Don’t Like Shit, I Don’t Go Outside: An Album By Earl Sweatshirt. Produced almost entirely by himself under the alias randomblackdude, with a Left Brain beat and guest verse from the group’s quasi-member Vince Staples (the only Odd […]
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