Over the past few years, Biocym has been quietly but powerfully shaping a sound rooted in hypnotic techno, weightless ambiance and fine-grained detail. His path into electronic music started over a decade ago, sparked by early exposure to deep techno and later catalyzed by formative releases from Hypnus Records. A move to Milan to study sound engineering laid the technical foundation, and with the influence of artists like Polygonia and Feral, his sonic identity really began to take form. His 2023 album Collector of Chaos, released on Agos, marked a key step in defining his sound: raw yet refined, balancing modular textures with meditative pacing. That same approach runs through releases like Narrow Slopes (Secuencias Temporales), Sepuvāia (Common Ancestors), and the more recent Dysphoria EP, a self-released four-tracker of tantalizing, hypnotic techno. He also appeared alongside longtime inspirations Luigi Tozzi, Feral, and Formant Value on Sense Code, marking a symbolic milestone for the Italian producer.
Behind the decks, Biocym builds sets that focus on contrast, broken rhythms and deep techno woven together with slow-burning shifts. His Truancy Volume captures all of this, a mix rooted in suspension and groove, where each transition feels carefully weighted. The 80 minute mix works in waves, with loops evolving gradually, textures pushing and pulling, and rhythms creating a sense of forward motion without ever rushing. It’s a hugely immersive and tension-laced session that invites close listening but never forgets the dancefloor.
Hey there, hope you’re good! So how have you been recently? What’s the year been like for you so far? Any particular highlights? “Hey! It’s been an intense stretch, but I’m happy that way. I feel charged and inspired, hungry to do even more—and I even treated myself to a new computer to push my production forward. The biggest highlight so far was playing in Medellín in March; performing there felt like a real milestone for me.”
So as it’s your first time getting interviewed on the site, I thought we’d go back for a minute. Can you tell us a little bit about your early formative musical years? Was there a particular year when you first started getting into electronic music? “I first got hooked on electronic music more than ten years ago. Over time, my taste naturally gravitated toward techno—especially after discovering the early Hypnus Records releases, which opened the door to deeper, hypnotic sounds. Growing up around events with forward‑thinking line‑ups helped accelerate that transition. Seven years ago I moved to Milan to study sound engineering, and that’s when I began producing my own material in earnest.”
Can you tell us a bit about where you grew up, did you have to travel far to attend any parties? What sort of nights were you going to? “I was lucky growing up because one of the best crews in my region—Ways Collective—operated right on my doorstep in Puglia. They booked artists like Donato Dozzy, Mike Parker, Svreca, François X and many others, so I never had to travel far to hear truly world‑class techno. One of the most magical nights was catching a set by Dino Sabatini & Max_M—an artist who has sadly passed away since—an experience that left a lasting mark on me. Thanks to those line‑ups I discovered a whole universe of names within the genre and shaped my taste from there.”
So what brought you to Milan seven years ago? Has it been easier to stay on top of things with Italian electronic music being in a larger city? Are you involved in the scene much at all or like taking a backseat to things? Is the techno scene good in Milan? “I originally moved to Milan seven years ago to study at SAE Institute, and pretty quickly I realized I wanted to stay rather than move back to Puglia even if I love Puglia. These days I’m quite involved in the local scene, playing mainly for collectives like Migarden and Eureka. The techno landscape here keeps expanding—there’s almost too much choice now, which is a good problem to have. My personal favorite events are the ‘Acquario’ parties at Masada; I’ve been going since I first arrived in Milan and I still haven’t grown tired of them. It’s something amazing!”
Can you tell us a bit about your journey as a producer? How you learnt things slowly, your style, artists you’ve been influenced by over the years? “I learned the basics from a friend I met at university; we spent countless sessions together, me mostly watching at first, then diving in on my own every day and discovering new tricks as I went. Two artists who have influenced me the most are Polygonia and Feral—their work pushed me to experiment and carve out a sound that feels personal and distinctive. That search for ‘my own voice’ is something I still work on daily.”
You recently self-released your new Dysphoria EP. What can you tell us about producing this one and any themes that you may have explored whilst making it? “Dysphoria is a journey through shifting realities, where nothing stays in focus for long. I wanted each track to feel like a moment caught between clarity and distortion, blending atmospheric textures with raw energy. Every piece explores tension, movement, and those fleeting instants when everything blurs.
Production‑wise I leaned heavily on granular processing and modular patches to keep the palette fluid and unpredictable; even in the stillest passages there’s always something subtly vibrating underneath. I handled the writing, arranging and mixing while the final mastering was entrusted to an external engineer. The result is an unfiltered snapshot of where my head is right now.”
You’ve also got a track on a Sense Code record coming up in April. How did that come about? Must be very exciting to be on a record with the likes of Feral, Luigi Tozzi and Formant Value. “This release is a huge milestone for me, and I’m genuinely thrilled. Sharing an EP with artists like Feral, Luigi Tozzi and Formant Value—people who have fascinated and inspired me for years—feels incredible. It all started when I met Enrico (Gabsphere), one of the label owner, at an open‑air event where we were both playing. A few months later he reached out and asked if I’d like to contribute a track to the record. I didn’t think twice; I jumped on the opportunity straight away.”
How would you describe your DJ style, what do you look for when searching for new records? You’ve had some memorable nights playing at Gare Porto too, can you tell us about those? “I’m constantly digging—keeping up with new releases is almost a daily ritual for me. Lately I’m refining my DJ style around contrasts: weaving very deep, hypnotic cuts with broken‑beat rhythms and creating subtle rises and drops inside the mix. I’ve played at Gare Porto twice, and the venue means a lot to me because my first gig ever happened there. I owe a huge thank‑you to Amulador for giving me that chance. The second time I shared the decks with Claudio PRC; it was an unforgettable night, and we connected on a deeper level—he’s not only a great artist but also a genuine person. He even delivered a beautiful remix for me about four years ago.”
If you had one day to take a fellow artist on an adventure around your city, where would you go and why? Are there any specific cities you’ve always admired or wanted to experience? “If I had one day to guide a fellow artist around Milan, I’d start by pointing them toward XCTR, one of the city’s best stores for deep digs. After that we’d grab a craft beer in Porta Venezia or Navigli and then unwind in a sunny corner of Parco Sempione. In the night I know many spots to hang out and to have fun.
Outside Italy, Japan fascinates me right now—its meticulous, aesthetic approach to electronic music feels unique. And I’ll always have a soft spot for South America; the warmth and raw energy of the crowds there is unmatched.”
Can you tell us about three albums that a) define you getting into electronic music in general, b) maybe a midway album when you were fully invested in DJing and and c) a more recent one.
a) Getting into electronic deep music – Luigi Tozzi, “Deep Blue”
That record opened my ears to atmospheric, hypnotic techno and set the direction for everything I do now.
b) Mid‑way, fully invested in DJing – nthng, “Hypnotherapy”
I was deep into club culture by then, and Hypnotherapy showed me how emotion and power could coexist in long‑form techno storytelling. It reshaped the way I build tension in my sets.”
c) Recent inspiration – Vanta – “Between Life and Death”
This album feels like a blueprint for forward‑thinking sound design—its blend of detail, space and pressure pushes me to experiment further in my own productions.”
What sort of other hobbies or interests do you have outside of electronic music? Are there any books, films, shows or other things you’ve seen or been reading/watching that you might want to share? Heard you’re quite interested in art? “I’ve become a full‑on anime enthusiast lately; beyond the striking visuals, I love how many series carry a deeper, often philosophical meaning beneath the surface. Visual art in general has always intrigued me, especially when it intersects with music—I think that fusion creates the perfect experience. Two weeks ago I played a Migarden event in Milan featuring an installation by Merge, and the way the visuals wrapped around the sound made the whole night feel genuinely special and complete.”
Could you describe the process of creating this mix? Was there a specific message or feeling you wanted to convey? “My goal with any mix is to tell a story. I build in twists and turns—little plot‑points that keep the listener guessing—while still letting them float inside the soundscape. I’m always aiming for that balance between surprise and suspension, so the journey feels cohesive yet full of hidden corners.”
Biocym: Soundcloud, Instagram, Resident Advisor, Bandcamp
You can download Truancy Volume 352: Biocym in 320 kbps and view the full tracklist on Patreon here. Your support helps cover all our costs and allows Truants to continue running as a non-profit and ad-free platform. Members will receive exclusive access to mixes and tracklists. We urge you to support the future of independent music journalism—a little goes a long way. If you need any IDs though, please leave us a comment on the Soundcloud link and us or Biocym will get back to you with the track :)
