Chronicles, Releases, Sunday's Best

Sunday’s Best Pt. XLVI

Hot off the press this week, Pearls is Swimful’s second release on Shanghai-based record label SVBKVLT (third including a remix EP). Following on from previous records by the likes of Prettybwoy, Howie Lee and Damacha, this EP is a continuation of output from artists based in East Asia producing a vast array of club-friendly music. […]

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Chronicles, Releases, Sunday's Best

Sunday’s Best Pt. XLIV

Three decades on from the genre’s initial explosion, acid rarely fails to move dancefloors. The label arm of NY clubbing institution the Bunker shines, beacon-like, as a home for fresh acid house. For their next release, ex-LWE writer Justin Cudmore presents the Forget It EP, a collection of four heady club tracks. Its title track […]

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Chronicles, Featured, Releases

Chronicles: D.R.A.M.

Artists such as D.R.A.M., Lil Yachty, Lil Uzi Vert, iLoveMakonnen and Chance the Rapper hold a charismatic aura that’s present regardless of whether they use it for inspiration or introspection. That character is tied to an emotional vulnerability that they all willingly share with the world through their music – perhaps more visibly on their […]

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Chronicles, Releases, Sunday's Best

Sunday’s Best Pt. XXXVIII

Ocobaya is the new moniker for Washington, DC producers Aaron Leitko and Mike Petillo. Previously known for their work as Protect-U on the Future Times imprint, here they’ve teamed up with DC label and Truants favorite 1432 R to inaugurate the new project. The Messix EP finds them experimenting more than in past releases, sometimes […]

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Chronicles, Releases, Sunday's Best

Sunday’s Best Pt. XXXVII

Kablam’s debut EP for Berlin’s party-cum-label Janus is a haunting set of twisted, frantic club music. Happily perched at the intersection of ASMR, hardstyle and choral music, Furiosa slams together various body-music herstories. It brings to mind the militant rigidity of the hakken alongside the sensual tingles of a whisper. The EP surveys the sonic […]

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Chronicles, Releases, Sunday's Best

Sunday’s Best Pt. XXXVI

With a steady stream of material filtering out over the past couple of years, from reissues and remixes to new collaborations, restructured moments from the club and fresh new solo material to boot, the Dozzy train continues full steam ahead. In 2016, the minimal maestro has dropped an EP for The Bunker, cameoed alongside Neel […]

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Chronicles, Releases

Chronicles: Goth Money – Goth Money Trillionaires

If there is to be any overt or ulterior goal of bubbling-up rap crew Goth Money’s music, it’s a convoluted one; interviews of the six members frame their project as a form of positivity achieved through organic, artistic union, while the group’s material is most often somewhat a literal incarnation of their name. Either way, […]

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Chronicles, Releases, Sunday's Best

Sunday’s Best Pt. XXXIV

Malory has been doing the live hardware rounds in New York’s thriving mechanical scene for a minute now. Her first official release comes from GOD MODE, a label that’s growing more captivating with each album they put out. There is something that just clicks with this release, it feels so natural. The track names are […]

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Chronicles, Releases

Premiere: Brown Irvin – Bay Fog

Brown Irvin is a new project from LA’s AshTreJinkins, whose main focus over the past decade has been in the world of dusty, beat-driven hip-hop. This new persona sees him move in different directions, a side project for him to explore house and techno from his own particular point of view. Having released a three-track digital […]

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Chronicles, Downloads, Releases, Sunday's Best

Summer’s Best Pt. XXXIII

What a time to be a Truant. Autumn’s release schedule is like a cheesecake, real late at night: sensational. But we couldn’t proceed without giving the summer its due, so we’ve got a bumper edition of our Sunday’s Best column to top it all off. We’ve kept ourselves busy with various mixes and features popping […]

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Chronicles, Releases

Chronicles: Retch – Finesse The World

We usually shutter to ascertain authenticity in music, but Retch’s rap is such that his ability to seamlessly integrate his incriminating extra-curriculars into it makes it most tantalizing as a square outsider looking in. Among the preeminent rappers actively occupying the classically-oriented street narrative stratum, like the more popular Roc Marciano, Black Milk, and Meyhem Lauren, […]

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