

Somehow you better realize when the music you're dancing to comes from people that have been exploited, the best tribute you can have is setting yourself loose in unity with the exploited.Theo Parrish
Sliding into the spotlight for Truancy Volume 274 are Bill Spencer and Izaak. With over a decade of experience of buying, grading and shipping records between them they’ve forged a long-lasting friendship, nurtured by their love of old 80s and 90s funk, soul and rnb cuts. With their musical values crossing over to such an […]
Read moreFor Seven Plays, each week one of our contributors will keep a personal music diary for seven days, then hand the feature over to another Truant. The idea is to keep sharing great music with our readers, but with a more individual touch than our more objective posts and reviews. Interrupting the feature’s extended hiatus […]
Read moreCarmen Villain has carved a particular niche for herself over the past few years. Having released music for a decade now, mostly on Oslo mainstay Smalltown Supersound, she’s shifted her sound from dreamy, guitar-led (but nonetheless atmospheric) indie-pop into her own realm of refreshingly distinctive ambient sound art. This shift kick-started with 2019’s Both Lines […]
Read moreFor our first Truancy Volume of 2021, we welcome Joe Delon, a DJ and label owner whose mixes have opened us up to new wealth of record-shaped gems and Discog wormholes. Originally from Birmingham with stints in London, he’s been residing in sunny Lisbon, Portugal for the last six years, a move he’s since described […]
Read moreFor Vienna’s electronic music scene, Florian Stöffelbauer (otherwise known as Heap) is something of a local hero. As a DJ, producer and label head, Florian has an acute knowledge of the weird and wonderful. The term ‘digger’ is thrown around frequently, often with pompous connotations. While his crates run particularly deep, Florian’s far from pretentious; […]
Read moreWith a vision for powerful, narrative-driven DJ sets as well as a production catalogue spanning original hardstyle compositions, rhythmic drum track collaborations, dancefloor-storming superhit blends and wondrously uncanny metal mashups, Estoc sets any and all music libraries alight. The Philadelphia-based artist has been consistently delivering the fiercest of mixes and edits under the name for […]
Read moreIn a year of near-continuous crisis, works of support and solidarity have proved crucial. One such release is Nisf Madeena, a compilation from renowned mastering engineer Heba Kadry, created in partnership with Arabic music and culture magazine Ma3azef. A fundraiser for music communities affected by the explosion in Beirut this summer, it is a thrilling […]
Read moreOriginally from New York but now based Chicago, Aguila has a sonic richness that combines progressive melodies, rave-era breakbeats and driving 4×4 riffs, all wrapped up in a revelatory love letter to trance. There’s nothing quite like being locked into the Essential and Global Communication mixes of old, and the influence clearly shines through here with […]
Read morelivwutang is the alias of rising Seattle-based DJ and artist Olivia Klutse. Moving to the city from Denver in 2014, she has quickly become an integral and vital member of Seattle’s underground music community, forming numerous friendships and helping organize events for a number of the city’s budding parties. Truancy Volume 271 sees livwutang put together […]
Read moreShades is the fourth album in some 11 years from Good Sad Happy Bad, the London-based band formerly known as Micachu and the Shapes (now rechristened after their 2015 LP). It arrives after the longest gap between between the group’s albums yet, and just as there’s something idiosyncratic and unshakeable about their lo-fi avant-pop and […]
Read moreMaarja Nuut & Ruum (Hendrik Kaljujärv) are a duo from Estonia who have been collaborating for a number of years. They put out their debut Muunduja in 2018 and recently followed up that release with World Inverted. This album features delicate electronic strands that underpin Nuut’s folk-inspired vocals and violin-playing to eerie and unsettling effect; […]
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