Focus: Pastel Voids
Pastel Voids is a label split between Portland and NYC. They’re informed by DIY methods and aesthetics, releasing tapes and CDRs, always operating with an individual and personal approach. Like many tape labels, they typically release a glut in one go, so it can be a lot to take in at once, hence the delay in coverage of their […]
Read moreRecommended: Zomby – Ultra
After 2013’s long-winded With Love, many wondered whether Zomby would find new directions to explore on another LP. The years since have brought a relative chill to his previously trigger-happy Twitter account whilst a pair of Let’s Jam EPs on XL revealed a level of polish and depth that the producer had once only hinted […]
Read moreInterview: The Cyclist
Derry’s Andrew Morrison has been tickling our eardrums with wigged-out, tape-stretched techno and electronica for some years now, ever since his first release for Leaving Records as The Cyclist in 2013. Since then he’s adopted another alias, Buz Ludzha, releasing two rave-indebted 12″s under that name for Dublin’s All City Records, with whom he also released another album as The […]
Read moreInterview: Wallwork & TSVI
Bristol-based label Black Acre enlist the production skills of Wallwork alongside Nico Lindsay‘s emceeing expertise for their latest release, “Facts”/”Fyah”. The two-track single features Lindsay’s explosive bars layered on top of heavy beat patterns and sharp percussive sounds. Wallwork and TSVI’s strategically placed drum arrangements create a sense of preparatory anticipation for Nico’s fiery entrance […]
Read moreTruancy Volume 155: SHALT
The Astral Plane has long been one of our favourite music blogs, with its mix series one of the best places on the internet to find hypermodern dance floor bangers and experimental manipulations of existing club modes. It’s the latter that the newly formed label arm of the site has concerned itself with thus far. With the word “deconstructed” approaching […]
Read moreSunday’s Best Pt. XXXIX
The story goes that Abul Mogard is an ex-factory worker from Belgrade, who only took up making and recording music after his retirement. Given drone’s propensity for crafting the enigmatic and mysterious, you’d be forgiven for being sceptical about such a backstory. But while the jury might be out with regards to Mogard’s history, there’s […]
Read moreTruancy Volume 154: Ploy
When Hessle Audio announced that their first 12″ of 2016 would be a debut from a seemingly new producer going by the name of Ploy, interest predictably piqued at the first new artist to the label since Bruce in 2014. Juno recently described Hessle’s discography as a narrative that is powerfully entwined with the wider happenings of […]
Read moreRecommended: Aos – 90 East
Seattle DJ Aos came to our attention recently when the New York/Oregon label Blankstairs shared a two-hour chunk of a recent all-night set she played on SoundCloud. Taking in dreamy cuts like of Kassem Mosse’s remix of Machine Woman and Chaos In The CBD’s ‘Background Explorer’ as well as countless unfamiliar techno and electro tracks, […]
Read moreRecommended: Oscar Mulero – Spatial Sequence Synesthesia EP
Bas Mooy’s MORD label has been a bastion of functional, destructive dancefloor techno for many years now. The Rotterdam-based label has served as both a barracks for the new kids on the block and as a sanctuary for the seasoned techno veterans. This outing fulfils the latter purpose of the label as PoleGroup head Oscar […]
Read moreTruancy Volume 153: 8ULENTINA
For Truancy Volume 153 we’re pleased to present 8ULENTINA, curator of the recently featured Tobago Tracks compilation DISMISS U. 8ULENTINA is a producer, DJ and installation artist based in Oakland, California. Together with foozool, they run Club Chai, a club night that inverts power structures through its line ups and offers the kind of space that, as […]
Read morePremiere: Gussy – Looking At Myself (Air Max ’97 Remix)
We’re extremely excited to premiere Air Max ’97‘s bionic take on Sydney singer and producer Gussy. Gussy’s takes an intimate look into fractured, digital selves and subjectivity under late heteropatriarchal capitalism. Air Max ’97 twists the vocals into something more alien and prickly. Where the original is touching and corporeal, the remix is cold and synthetic – […]
Read moreRecommended: Linda Catlin Smith – Dirt Road
Dirt Road started its life as dance music. Commissioned by a choreographer, this near 70 minute piece for violin and a glowing array of percussion (including vibraphone, gongs, cymbals and triangles) by the Canadian composer Linda Catlin Smith achieves ambitious and euphoric heights through a startling shy set of musical materials. As the title suggests, the music wanders, […]
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